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Peter Schwartz on Dec 07, in Logic Pro 1 comments. Face it. Compared to the amount of work needed to prepare scores, parts, and charts, writing the music is the easy part. Sure, Logic can make quick work of getting notes to display correctly on the page; but without articulations, dynamic markings and performer instructions, no one would know how to interpret your music.
As you can see, markup is what makes all the difference between a page full of notes and playable music. However, marking up a score can be pretty tedious work on a computer especially if your technique for adding symbols is to drag them one at a time out of the partbox or floating partbox palettes and onto the page.
Figure 3: the partbox in the Inspector and examples of floating partbox palettes. Let us then explore how we can vastly speed up the task by by utilizing Logic’s commands for entering musical symbols ‘” and text ‘” in the Score editor. In Figure 4 we see the key commands window, Score Editor section, where we find commands to enter many commonly used markings. You can quickly access this list in the key commands window by typing “attach” in the search box, as these are the only key commands that contain the word “attach”.
Then, clear the search field to reveal the rest of the symbol-oriented key commands. In the right hand column of the list “key” we see Logic’s default key command assignments for these symbols. Well, you can stop squinting now because in fact, Logic’s default key commands set does not include assignments for these functions. And that’s OK. One of the beauties of Logic’s overall design is that you can custom-assign key commands to these symbols or any function in the entire list for that matter.
We’ll explore key command assignment options and strategies in a little while. For now, let’s take a closer look at the types of symbols available to us via key command, and how to add them to the score. Figure 5 below illustrates each of the first 12 “attach” type symbols listed in the order they appear in the list. Of note, the second to last symbol is the “Flageolet” symbol, more commonly referred to as the symbol indicating a harmonic.
And the symbol shown on the last note in the staff, labeled as “Pizzicato” in the list, takes on special meaning in horn and brass writing. Adding these symbols is as simple as selecting one or more notes and hitting the key command you’ve assigned to one of these symbols.
The Attach type symbols can even be attached to notes selected across multiple staves. With this technique you can instantly attach these markings to notes located anywhere in the score with a smooth and ergonomic, two handed-operation: your right hand is on the mouse or trackpad selecting notes, while your left hand is on the keyboard, hitting key commands to add the markings.
In the example below, I added the staccato marks by first selecting the notes using Shift-click. Then, with one keystroke on my system, the “.
I used the same technique to add the tenuto tonguing marks in measure 1. Figure 6: Example of “Insert” and “Attach” type symbols entered using key commands. The Insert Type includes symbols to be applied across a span of notes, though the choices are limited to “hairpins” crescendo and decrescendo marks and slurs.
I used a similar technique to add the crescendo: selecting the first and last notes to be crescendoed and then hitting my key command for “Insert: Crescendo”. Note that you can also use the technique of selecting all notes to be included within a single slur or hairpin and then invoking the appropriate key command. Either method is fine. As mentioned previously, Logic’s default key command set does not include assignments for these symbols, so you’ll have to create your own. You can use single keys or combinations of keys plus one or more modifier keys: Shift , Command , Option alt , and Control.
But any time you embark on assigning keys to a bunch of previously unused commands, you run the risk of messing up your existing key commands set. So do yourself a huge favor: before you start experimenting with new key command assignments, back up your existing key commands with the following simple procedure:. When it comes to the first three symbols on my list, I’ve chosen key assignments which are mnemonic, meaning that I associate the shape of the character or letter on the key with the musical symbol.
You may find this technique handy as well for remembering which key equates to each symbol. Now, if you like this idea and wanted to use my convention of Command-period for “Insert: Decrescendo”, you’ll run into a potential conflict because this key combo’s default assignment is “Open Preferences”. Attempting this assignment results in the following message:. If you can accept the fact that the standard key for opening the preferences won’t operate when the score editor has focus, click “OK”.
But if you think this will present a problem for your established workflow, you’ll have no choice but to come up with another key combination for the descrescendo.
Finding the right combination of keys that works best for you may take some time, so be patient as you experiment. One approach to consider: try using the same combination of modifier keys in association with the actual keys you want to type. The following two combinations of modifier keys are little-used in the default key commands set:.
Personally, though, I like most of my key combinations to be accessible with just my left hand but without getting into playing a game of finger Twister. This way I can maintain the previously described workflow of right-hand mouse, left-hand key commands.
And I’ve long abandoned the default Logic key command assignments, so none of them are sacred to me. As we’ve seen, it’s easy enough to import and export key command sets.
So with this in mind, another option is to create a key command set configured exclusively for working in the score editor. Start by exporting a copy of your established key commands first. Inevitably you’ll run into conflicts with existing key commands and generate warning messages as illustrated above. But really, this is no big deal. Just read the warnings carefully and make your decisions about key command assignments with care. You can always cancel the operation if you’re not sure.
Be sure to export your key commands from time to time as you make progress with your custom key assignments. This way you can get back to where you were previously in the event you mess something up. It’s your only form of “undo” when it comes to key commands. The “key” number pad on the Mac keyboard ‘” normally used to switch screensets ‘” is a perfect, close-knit key grouping for assigning symbol-related key commands. And in my studio I have a separate key keypad which I sometimes use just for this purpose:.
When I have a lot of markup to do, I recall import a special Score Editor key command set where the number keypad assignments are:. When I’m finished, I revert back to my usual key commands set, where the keys on the number pad take on other functions not related with the Score editor. More articles by this author.
Peter Schwartz, composer, orchestrator, arranger, pianist, synthesist, and musical director, began piano studies at age 5 and went on to earn a degree in piano performance from Manhattan School of Music. It wasn’t long afterward that he began working as a product specialist for New England Digital Synclavier and also as a sound progr Read More.
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Log In Create Account. A NonLinear Educating Company. Peter Schwartz lets his fingers do the talking when using Logic’s Score editor. He illustrates how to create multiple key command setups which makes editing in Logic a much more enjoyable experience.
Peter Schwartz More articles by this author. Related Videos. Apple Unleashes Logic Pro X Discussion dynamicalan. Hay how is Rounik? I haven’t heard from him in years. My question is how to get these markings to perform. Do you have to go to the mdi draw area or use latch in performance? If the composer is playing it in a crescendo for example will most likely sound and then you can go back and insert the marking on the score but if you want to put it in after the fact it seems you need to make those adjustments in the midi draw area or otherwise make those changes using the latch mode and then read.
The reason I am referring to this is someone mentioned to me some notation programs do this when inserting into the score window. Want to join the discussion? Featured Articles. Related Articles. Spotlight Courses. Categories News Reviews Tutorials Interviews.
Logic pro x key command symbols free download –
LOGIC PRO X PLUGINS Channel EQ Even with the new vintage equalizers, this will still be your workhorse EQ. Fully parametric EQ’s like this are great for subtractive EQ in any case, like the narrow notch cut you see in the image above. Plus, this is the only EQ with a spectrum analyzer, which can be incredibly helpful! In the key configs screen, the icon with 12 little grey dots denotes a key command that was ” Learned by Key Positi on” In the key config screen, a command with a bullet symbol in front indicates that command is available via keystroke only (not in menus). ” Ent er” and ” Ret urn ” are not the same thing! ” Ent er” = Fn+Return. For reference, this was my setup as of writing this list: Logic Pro X , US Key Command Preset, Full Sized MAC Keyboard with numpad (Swedish layout). Watch all my Logic Pro X Tips & Tricks Videos here. I wish you all the best in improving and mastering your workflow in Logic Pro X! =)Estimated Reading Time: 30 secs.
Logic pro x how to select a region free – – Modifying the System
An article on keyboard commands and shortcuts to improve your productivity in Logic Pro. Discover how to get the most out of Logic’s key commands as you learn to manage multiple presets, use controller assignments, decode the mysterious symbols. A table of Logic Pro Global Commands key commands. X. Show/Hide Smart Controls. B. Show/Hide Score Editor Download the guides: Logic Pro User Guide.